Against the backdrop of pulsating surfaces, we follow a set of transitioning objects. The objects might appear to be natural in formation, but are entirely saturated and artificial on the surface. The cracked hands attempt to control and manipulate these objects, while the clips continuously shift from one surface to another. The work follows a series of faux rock sculptures that give the appearance of smoothly eroded forms, but are painted in bright saturated colours in order to highlight their artificiality, destabilizing distinctions between authenticity and the artificial.